GI-tagged Nizamabad black pottery showcases Uttar Pradesh’s traditional craftsmanship at Shilp Samagam Mela 2026 in Dilli Haat
New Delhi: India’s traditional craftsmanship is receiving fresh attention at the Shilp Samagam Mela 2026, where GI-tagged Nizamabad black pottery is attracting visitors at Dilli Haat, INA. The distinctive pottery from Azamgarh, Uttar Pradesh, is drawing shoppers with its deep black finish, silver-coloured patterns and range of traditional and contemporary products.
Organised by the Ministry of Social Justice and Empowerment, the 15-day mela runs from November 1 to 15. It provides artisans from different communities with a platform to showcase their skills and connect directly with customers.
The Prakash Chowk stall features an extensive display of Nizamabad black pottery. The craft received its Geographical Indication (GI) tag in December 2015 and is also part of Uttar Pradesh’s One District One Product (ODOP) scheme.
Traditional Technique Gives Pottery Its Black Colour
Nizamabad black pottery stands out because of its distinctive manufacturing process. Artisans use locally available clay to create different products and carefully develop decorative patterns on their surfaces.
They then fire the pottery in closed kilns using rice husks or dung cakes. The process produces the natural black colour that defines this traditional craft. Silver-like patterns add further detail and make each product distinctive.
The Prajapati community has preserved this pottery tradition across generations, keeping the craft alive through traditional skills and techniques.
Modern Products Expand the Appeal of Traditional Pottery
At the exhibition, third-generation artisan Ankit Prajapati and fellow artisan Satyam Gupta are presenting a collection that combines traditional designs with contemporary utility.
Ankit’s grandfather, late Rajendra Prasad Prajapati, helped establish recognition for the craft, while his father, Shivratan Prajapati, carried forward the family legacy.
The stall features traditional pottery, jewellery, decorative items, clock stands and household products. Tea light holders, small flower pots and Deepawali diyas are attracting particularly strong interest from shoppers.
Ankit said the craft represents his identity and family heritage. He expressed pride in continuing the work of his grandfather and father and said exhibitions like Shilp Samagam Mela help artisans reach new audiences.
Satyam Gupta also noted the positive response to tea light holders, flower pots and diyas, saying the demand reflects the continued popularity of traditional products among urban consumers.
Visitors Praise Artisans for Preserving Cultural Heritage
Dr. Nity Sharma appreciated the pottery’s detailed patterns and unique finish, describing it as an example of India’s rich craftsmanship.
Manoj Sharma praised the artisans for adapting traditional products to contemporary preferences while maintaining their cultural identity. He also emphasised the importance of exhibitions in promoting heritage crafts and supporting skilled artisans.
Guille Marrero, a visitor from Spain, was mesmerised by the craftsmanship of Ankit Prajapati and Satyam Gupta.
Shilp Samagam Mela Supports Traditional Artisans
The mela provides participating artisans with free stalls, travel assistance and direct access to customers. These facilities help craftspeople promote their products, improve their earning opportunities and explore new markets.
The popularity of Nizamabad black pottery at the Delhi exhibition highlights the growing appreciation of traditional Indian handicrafts. It also demonstrates the importance of government-supported platforms in preserving regional art forms and helping artisans build sustainable livelihoods.
